[et_pb_section fb_built=“1″ _builder_version=“4.16″ global_colors_info=“{}“ theme_builder_area=“post_content“][et_pb_row _builder_version=“4.16″ background_size=“initial“ background_position=“top_left“ background_repeat=“repeat“ global_colors_info=“{}“ theme_builder_area=“post_content“][et_pb_column type=“4_4″ _builder_version=“4.16″ custom_padding=“|||“ global_colors_info=“{}“ custom_padding__hover=“|||“ theme_builder_area=“post_content“][et_pb_text _builder_version=“4.18.0″ background_size=“initial“ background_position=“top_left“ background_repeat=“repeat“ hover_enabled=“0″ global_colors_info=“{}“ theme_builder_area=“post_content“ sticky_enabled=“0″]<\/p>\n
Beim 75. Locarno Film Festival wurden die Preise verliehen. Die \u00d6kumenische Jury vergab ihren Preis an „The Tale of the Purple House“ (Hikayat elbeit elorjowani) von Abbas Fahdel (Libanon, Irak, Frankreich 2022), eine „bildliche Arche Noah in Zeiten der Sintflut“, wie der Regisseur sagt. Au\u00dferdem verlieh die Jury eine Lobende Erw\u00e4hnung an „Tengo sue\u00f1os el\u00e9ctricos“ von Valentina Maurel (Belgien, Frankreich, Costa Rica 2022). Der Film erhielt zudem drei Festivalpreise: einen Leoparden f\u00fcr die beste Regie, die beste Darstellerin (Daniela Mar\u00edn Navarro) und den besten Darsteller (Reinaldo Amien Guti\u00e9rrez). Der Goldene Leopard (Hauptpreis des Festivals) ging an den brasilianischen Film „Regra 34“ (Rule 34) von Julia Murat. Den Fipresci-Preis der Jury der internationalen Filmkritik erhielt „Stone Turtle“ (Malaysia, Indonesien 2022) von Ming Jin Woo.<\/p>\n
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Das Locarno Filmfestival fand vom 03.08.-13.08. zum mittlerweile 75. mal statt. Er\u00f6ffnet wurde das Festival auf dem Piazza Grande mit dem Film „Bullet Train“ (u.a. mit Brad Pit). Insgesamt wurden mehr 200 Filme in \u00fcber 400 Auff\u00fchrungen auf dem Festival gezeigt.<\/p>\n
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[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":"
[et_pb_section fb_built=“1″ _builder_version=“4.16″ global_colors_info=“{}“ theme_builder_area=“post_content“][et_pb_row _builder_version=“4.16″ background_size=“initial“ background_position=“top_left“ background_repeat=“repeat“ global_colors_info=“{}“ theme_builder_area=“post_content“][et_pb_column type=“4_4″ _builder_version=“4.16″ custom_padding=“|||“ global_colors_info=“{}“ custom_padding__hover=“|||“ theme_builder_area=“post_content“][et_pb_text _builder_version=“4.18.0″ background_size=“initial“ background_position=“top_left“ background_repeat=“repeat“ hover_enabled=“0″ global_colors_info=“{}“ theme_builder_area=“post_content“ sticky_enabled=“0″] Beim 75. Locarno Film Festival wurden die Preise verliehen. Die \u00d6kumenische Jury vergab ihren Preis an „The Tale of the Purple House“ (Hikayat elbeit elorjowani) von Abbas Fahdel (Libanon, Irak, Frankreich 2022), eine „bildliche Arche Noah in Zeiten der Sintflut“, wie der Regisseur sagt. Au\u00dferdem verlieh die Jury eine Lobende […]<\/p>\n","protected":false},"author":1,"featured_media":338,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[25,1],"tags":[],"sp_smart_badges":[],"class_list":["post-102","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news","category-uncategorized"],"publishpress_future_action":{"enabled":false,"date":"2026-06-19 22:42:09","action":"change-status","newStatus":"draft","terms":[],"taxonomy":"category","extraData":[]},"publishpress_future_workflow_manual_trigger":{"enabledWorkflows":[]},"_links":{"self":[{"href":"https:\/\/interfilm-deutschland.de\/index.php?rest_route=\/wp\/v2\/posts\/102","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/interfilm-deutschland.de\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/interfilm-deutschland.de\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/interfilm-deutschland.de\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/interfilm-deutschland.de\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=102"}],"version-history":[{"count":7,"href":"https:\/\/interfilm-deutschland.de\/index.php?rest_route=\/wp\/v2\/posts\/102\/revisions"}],"predecessor-version":[{"id":341,"href":"https:\/\/interfilm-deutschland.de\/index.php?rest_route=\/wp\/v2\/posts\/102\/revisions\/341"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/interfilm-deutschland.de\/index.php?rest_route=\/wp\/v2\/media\/338"}],"wp:attachment":[{"href":"https:\/\/interfilm-deutschland.de\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=102"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/interfilm-deutschland.de\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=102"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/interfilm-deutschland.de\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=102"},{"taxonomy":"sp_smart_badges","embeddable":true,"href":"https:\/\/interfilm-deutschland.de\/index.php?rest_route=%2Fwp%2Fv2%2Fsp_smart_badges&post=102"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}